
Oct 21, 2024
The Simera-C lens from Thypoch and DZOFILM is smaller yet more powerful for filmmaking.
In collaboration with renowned brand DZOFILM, the emerging brand Thypoch in the field of camera lenses is setting new standards with its Simera-C lens series released at IBC 2024. The Thypoch Simera-C series aims to be one of the most compact T/1.5 cinema lenses, weighing approximately 400 grams. Each lens is priced at USD 879/EUR 799.

The Simera-C lenses share the same optical formula with the existing Simera photography lenses, thus they possess the same image quality and characteristics. To achieve a more circular bokeh effect, these lenses include 16 aperture blades, while the Simera photography version uses 14 aperture blades.
Main Features:
-- Offers 4 focal lengths ranging from 28mm-75mm, ensuring diverse narratives, with a 21mm focal length in planning.
-- Consistent T1.5 large aperture and 16 aperture blades provide a circular and pleasing bokeh effect.
-- Extremely compact and lightweight, weighing just 390-470 grams. Suitable for car, handheld, and gimbal shooting.
-- Highly compatible with mirrorless cameras and cinema cameras (like DJI Ronin 4D).
-- Minimal chromatic aberration with high resolution.
-- Dual focus scales in metric and imperial units.
-- Equipped with an aluminum hard shell case that can accommodate a set of four lenses, compact enough to fit in a suitcase, with a shoulder strap for easy portability.

Simera-C full-frame lenses, covering focal lengths of 28mm, 35mm, 50mm to 75mm (with a 21mm in the future), can handle most shooting scenarios. Equipped with 16 aperture blades and a uniform T1.5 large aperture, these lenses easily create an unparalleled spatial visual impact, enhancing the immersiveness of the image.
Simera-C lenses use aspherical, ED ultra-low dispersion lenses, and high refractive index elements to achieve ultra-high-definition resolution and effectively control dispersion, making them ideal for 8K high-definition video production. Additionally, these lenses employ high refractive index multilayer coatings to minimize flare and ghosts. Even under strong backlight conditions, Simera-C lenses present high contrast and overall clean image quality.

Simera-C lenses are perfectly compatible with Sony Alpha mirrorless cameras, Sony FX cinema cameras, as well as Red, DJI Ronin 4D, and Arriflex cinema cameras.

Pairing the extremely compact Simera-C lenses with autofocus systems such as DJI Focus Pro can simplify equipment operation and reduce the workload for the team, enhancing shooting flexibility. Additionally, when mounted on DJI Ronin 4D FLEX systems and Sony Venice Rialto Extension, Simera-C lenses can easily capture challenging angles such as low-angle shots, over-the-shoulder perspectives, and tight car interior spaces. This setup not only expands film expressiveness but also significantly enhances shooting agility, controllability, and creative scope.

Simera-C lenses have the same 210° focus travel and gear position design. This means there is no need to readjust when changing lenses or accessories. This feature, especially when using stabilizers or sliders, reduces the time required for rebalancing and improves shooting efficiency.
Price and Availability
Simera-C 28mm & 35mm & 50mm & 75mm T/1.5, available for Sony E-Mount, will be sold in a set of four lenses in a black version, priced at USD 3169/EUR 2879. The retail price for a single lens is USD 879/EUR 799. The four lenses will be equipped with an aluminum alloy case and are expected to ship in mid-November.
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Oct 22, 2024
Thypoch Simera-C T1.5 Primes unlocks all possibilities through the M-Mount version.
The M-mount Simera-C T1.5 retains the design and aesthetics of the E-mount version, but is 20-30 grams lighter, with the 50mm version weighing only 353 grams. These lenses are favored by filmmakers for their versatility and image effects, and the M Mount is eagerly anticipated by most potential users for its wide adaptability.

(Simera-C T1.5 M-Mount versions: 21mm & 28mm & 35mm & 50mm & 75mm)
M-mount cinema lenses are comparable in compatibility to PL-mount, adaptable with almost all mirrorless cameras (E, RF, Z, L, X mounts) using adapters. They can also be mounted on ARRI Alexa cameras and Sony Venice systems (positive lock) via third-party M-mount kits (Thypoch recommends XPIMAGE's ARRI M-mount for smooth compatibility). They ensure seamless integration from mirrorless cameras to high-end cinema equipment like DJI Ronin 4D, Sony Venice, Alexa 35, Alexa mini LF, Alexa mini, and Amira.
Main features of Simera-C series:
5 focal lengths: 21mm, 28mm, 35mm, 50mm, and 75mm.
T1.5 constant aperture with 16 aperture blades.
Weight range of 353-491 grams, suitable for car stabilizers, handheld shooting, and gimbal operations.
Available in M/E Mount, highly compatible with mirrorless and cinema cameras.
Minimal chromatic aberration and sharp resolution.
Dual-scale focusing in metric and imperial units.
Comes with a hard shell for easy transport.

(Simera-C specifications)
Simera-C Style:
Simera-C exhibits a very neutral look with soft tones, smooth background bokeh, and natural edge transitions, providing superior dimensionality for storytelling with minimal chromatic aberration and a curvature similar to the human visual field to capture the raw aesthetics. Flare is artfully controlled to maintain highlight detail without compromising image authenticity.

(Shot by Spenser Sakurai using Simera-C M-Mount)

(Shot using Simera-C E Mount by Filmguy)
The floating element design of the Simera-C series allows a closer minimum focusing distance than most converted cinema camera viewfinder lenses, providing nearly identical quality in both close-ups and landscapes, enriching textures and details in close-ups and enhancing creative flexibility.
Camera Compatibility:


(Simera-C M-Mount & DJI Ronin 4D)

(Simera-C M-Mount & Black Magic Pyxis)
Pricing and Availability:
M-Mount single lens: 959 USD / 869 EUR
M-Mount five lenses set: 4319 USD / 3919 EUR
E-Mount single lens: 879 USD / 799 EUR
E-Mount 5 lenses set: 4048 USD / 3679 EUR
Learn more about Simera-C cine prime lenses.
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Jul 22, 2025
Thypoch has released the Simera with a focal length of 21mm f/1.4, with a minimum focusing distance of 0.23 meters.
Simera Series is highly regarded for its superb performance and tactile design, gaining favor among vintage lens enthusiasts and modern creators. Building on the existing full-frame 28mm, 35mm, 50mm, and 75mm f/1.4 lenses, Thypoch has released a new member with a more cinematic feel and versatile functions: Simera 21mm f/1.4. It merges the practical multi-focus philosophy of the series with the cinematic heritage of Simera-C 21mm, bringing expressiveness and visual impact to still photography and filmmaking.
The 21mm focal length is favored in film narratives for its ability to showcase expansive spaces or dramatic details. From the Super 35 film era to today's full-frame cameras, this focal length is loved for its calm yet slightly surreal effect. With years of experience in designing fast cinema lenses, Thypoch has integrated the precision and depth of cinema optical lenses into lenses used for everyday artistic creation.
At the closest focusing distance of 0.23 meters, it achieves a bokeh effect comparable to a 50mm f/1.4 lens at 0.55 meters, providing a wide perspective and subject isolation in compact compositions.
Featuring full-frame coverage and a floating lens group, a floating focus mechanism enhances macro performance and ensures consistent clarity from the closest focusing distance to infinity, significantly reducing aberrations and field curvature. Weighing only 427 grams, the Simera 21mm f/1.4 achieves a rare combination of optical complexity, portability, and performance. It supports Leica M Mount and is compatible with Sony E, Nikon Z, Canon RF, L, and Fujifilm X, opening up new creative realms for diverse systems.
Main Features:
Ideal for landscape photography and portrait macro shots.
14-blade aperture, delivering smooth bokeh and clear star-shaped highlights.
Multiple special lenses: 2 aspherical lenses, 3 ED lenses, 3 HRI lenses.
Clean, rounded bokeh effect with no onion ring artifacts.
Very low chromatic aberration even at maximum aperture (f/1.4).
Excellent distortion control for accurate wide-angle imaging.
Lightweight design—only 427 grams, ideal for compact devices.
Selectable aperture ring, supporting both click and silent modes for hybrid use.
High-performance optical system—features 13 groups of 11 elements, including aspherical lenses, high refractive index glass, and ultra-low dispersion glass.
The Simera 21mm f/1.4 brings a wide-angle perspective to the Simera Series, combining a broad field of view with precise optical optimization. Its optical structure includes 2 aspherical lenses, 3 high refractive index lenses, and 3 ultra-low dispersion lenses, working together to suppress chromatic aberrations and distortions across the entire frame, ensuring sharp and realistic imaging from edge to edge.
With an ultra-short closest focusing distance of 0.23 meters, photographers can capture subjects up-close while retaining a strong sense of environment, ideal for storytelling and dynamic compositions. The large f/1.4 aperture ensures excellent low-light performance and smooth tonal transitions, while the 14-bladed aperture produces soft, rounded bokeh with almost no onion ring artifacts.
Inheriting the character of the Simera Series, this lens offers subtle tactile resistance at 0.7 meters, marking an effective focus coupling limit, aiding in intuitive focus confirmation in dynamic scenes. The aperture ring with click and silent modes ensures smooth transitions between still photos and videos, and the classic auto-depth indicator helps quickly visualize the focus area.
Price and Availability
The Simera 21mm f/1.4 is available in two elegant finishes: black and silver. It comes with a square lens hood that fits the lens design perfectly. Priced at 999 USD / 889 EUR.
The lens will be shipped immediately upon order confirmation. Learn more.
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Jan 13, 2026
Classic, cinematic style, modern performance: Thypoch brand new 21mm f/3.5 M Mount lens
Shenzhen, China, January 13, 2026 – Thypoch’s New Ksana 21mm f/3.5mm lens revisits the classic warmth and intimacy of rare and respected lenses in the 1970s, but brings them up to date, in an accessible modern format. Despite its ability to capture crisp detail all the way from portrait to landscape, and from wide angle to close focus, this lens is ultra-compact and lightweight.
Epoch Coating 73: The Retro Look
Thypoch starts a specialized project - Epoch Coating, which aims at exploring the aesthetic soul of different eras. Drawing from the deep heritage in cinema optics, Thypoch has successfully translated the magnificent flare of cinema lenses into the world of still photography.
As the first lens of the Ksana series, the 21mm f/3.5 blends classic aesthetics with vintage rendering. Epoch Coating. 73’ brings that 70’s cinematic aesthetic, golden bloom, and soft, delicate color rendering into modern photography. The Ksana 21mm blends classic optical craftsmanship with the artistic soul of vintage lens coatings, for exceptional sharpness and vibrant, saturated colors.

Ultra Compact, Pocket-size
The Ksana 21mm f/3.5 keeps things light and agile. The all-aluminum, featherweight Ksana lens’s ultra-compact size – just 27mm high and weighing only 131g – guarantees effortless handheld shooting, all day. Highly portable and discreet, it’s made for inspirational street, travel, and documentary photography.

Modern Optics, Classic Performance
Despite its light weight and pocketable form, the Ksana 21mm’s outstanding optical structure delivers high resolution with great suppression of unwanted chromatic aberration. This is a result of a design that includes a compact eight-element, six-group optical design, featuring 1 ASPH (Aspherical), 2 ED (Extra-low Dispersion), and 3 HRI (High Refractive Index) elements. The nine-blade diaphragm provides apertures from f/3.5 to f/22 for rounded highlights, with especially crisp 18-point starbursts at f/4.


Wide Angle, Wide Perspective
The lens has a wide 21mm angle, but with a 0.5m minimum focusing distance. It offers an 80.2° horizontal field of view on full-frame cameras, with imperceptible distortion. Maintaining the classic Leica rangefinder charm, this lens ensures precision for film and digital photographers alike. A tactile reminder at 0.7m alerts you when the rangefinder uncouples, signaling a switch to EVF focusing.

Timeless Design, Signature Lens Body
The Ksana 21mm f/3.5 features a vintage-inspired body with a scalloped focus ring and crescent-shaped tab. Ergonomic contours align with your fingers for a comfortable grip and intuitive handling, ensuring stable, precise control even during fast focusing.

Beautiful inside and out, this lens evokes the best of vintage design, complementing any compatible camera, and is available in classic black or silver. Ergonomic contours align with creative fingers, for a comfortable grip and intuitive handling, ensuring stable, precise control even during fast focusing. Its smooth, well-crafted feel makes it an ideal match for Leica cameras, offering a retro look with contemporary reliability, perfect for artists seeking a balance of style and performance.
Pricing and Availability
MSRP: USD 549/EUR 479
Available in M mount, black and silver version
Standard package includes front and rear caps, and warranty card
Available at both Thypoch official store and authorized dealers.
About Thypoch
Since 2013, Thypoch has been driven by a desire to bring the timeless lens designs of the past into the modern age. Even in times driven by AI, Thypoch still choose to craft products that carry the spirit of another era – because Thypoch believe that soul and character hold more meaning than mere technical perfection.
While the imaging industry races heedlessly toward breakneck speed, clinical sharpness, and cold automation, Thypoch take a more thoughtful path: merging our 21st-century optical innovation with the mechanical beauty of mid-20th-century craftsmanship.
This is because every photographer has their own unique, personal way of seeing the world, no matter what tools they use. So, instead of only offering another new lens, Thypoch seeks to simply create the one that feels right. Thypoch hopes to extend the creator’s vision. Thypoch knows that true photography isn’t about technical perfection, but about saving those fleeting moments that define our lives.
With precision engineering and vintage aesthetics, Thypoch lenses are built to endure. We aim to preserve the living essence of imagery – so that when the future looks back, they will treasure the way we saw our time. For more information, please visit https://thypoch.com or write to info@thypoch.com.
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Apr 28, 2026
Classic and Compact: Thypoch Eureka 28mm f/2.8 ASPH. Available Now
After announcing the pre-order of the Eureka 28mm f/2.8 ASPH. in November 2025, Thypoch today officially released this high-performance pancake lens , the latest addition to its vintage line of compact lenses. Following the success of the series' inaugural 50mm lens, the new 28mm model maintains the signature blend of classic aesthetic appeal and cutting-edge optical engineering, offering photographers a wider option.

Inspired by the iconic British legend – the Dallmeyer 35mm f/3.5 Anastigmat mounted on the Ilford Advocate camera, the Eureka 28mm f/2.8 ASPH. embodies a heritage design re-imagined for today. The creation of this lens was born from the Thypoch team's passion for shooting reversal film during long-distance travels, using compact 28mm lenses. Dissatisfied with the market's lack of options that were truly small, elegant, and exhibited minimal vignetting—a critical flaw for reversal film, where dark corners significantly impact viewing pleasure, unlike digitally adjustable files—they decided to develop their own.
Thypoch’s optical designers iterated through three distinct versions before arriving at the optimal result seen today, achieving outstanding resolution, minimal vignetting, and low distortion—all within an exceptionally compact form to meet the demands of fine reversal film. The brass body offers a durable build and a warm, vintage feel, while the solid mechanical design ensures dependable performance. Weighing just 137g with a 19.5mm height, the lens is incredibly compact and easy to carry.
With one aspherical element and three high-refractive-index (HRI) elements, paired with modern multi-layer nano coatings, the lens delivers excellent sharpness from center to edge while effectively controlling aberrations and flare. Images are crisp and detailed in focus, with smooth, natural out-of-focus areas. The 8-blade aperture creates distinctive starbursts under point light sources, adding a subtle artistic touch.
To match this optical excellence, countless hours were dedicated to refining the fine white paint finish and perfecting the surface texture of the black version. The Pearl White version has a subtle, soft sheen that feels gentle and warm in the light, while the Matte Black is smooth, durable, and exudes a calm, elegant presence, making the Eureka 28mm a precision instrument for the artist, and a work of art in itself.

Besides the M mount version, Thypoch also specially releases an X mount version and an M-X adapter to maintain the aesthetic consistency between the camera body and the lens based on the refined, vintage appearance of Eureka and the design of Fujifilm cameras. Even when adapted, its compact size remains lightweight and balanced, making it an ideal choice for those who appreciate classic aesthetics without compromising modern optical quality.


Key features:
1. All brass body with extremely compact size weighing just 137g with a 19.5~21.9 mm height (M & X Mount Available)
2. Classic appearance design in the 1950s
3. Epoch Coating M. for modern and clean image style
4. 7 elements in 4 groups
5. Featuring 1 aspherical element and three high-refractive-index (HRI) elements for outstanding sharpness from center to edge
6. Well-controlled aberration and flare
7. Dual tones for distinct moods: Pearl White and Matte Black, perfectly matching different camera bodies
8. The 28mm focal length and 0.4m close focus for natural expression


Pricing and Availability:
Available at Thypoch official store and authorized dealers.
3 options available:
1. Eureka 28mm M mount (Pearl White/Matte Black), MSRP: $459.00
2. Eureka 28mm X mount (Pearl White/Matte Black), MSRP: $459.00
3. Eureka 28mm mount (Pearl White/Matte Black) + M-X adapter (Silver/Black), MSRP: $479.00
Immediate shipment after order.
Where to buy:
Thypoch official store: https://dzolink.com/Eureka28-Store
Authorized dealers: https://thypoch.com/en/dealer
For more details on product contents, warranty policies, and other information, please visit Thypoch official website or write to info@thypoch.com.
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May 14, 2026
Thypoch enters autofocus market with Voyager 24-50mm f/2.8 for Sony E-mount
The first full-frame autofocus zoom developed by a Chinese optical brand, in a constant f/2.8 internal-zoom design
Shenzhen, China, May 14, 2026. Thypoch today announced the Voyager 24-50mm f/2.8, the first full-frame autofocus zoom developed by a Chinese optical brand and Thypoch’s first AF lens. Built for Sony E-mount mirrorless cameras, the Voyager uses an internal zoom mechanism that holds physical length fixed across the focal range, with a constant f/2.8 aperture from 24mm through 50mm.
Three Primes in One Lens
A photographer working with primes typically carries 24mm, 35mm, and 50mm. Those three focal lengths cover the working distances that define documentary, reportage, environmental portrait, street, and event photography. The 24mm captures a full scene when there isn’t room to step back. The 35mm sees roughly the way the eye sees, which is why it remains the working perspective of reportage and documentary photography. The 50mm isolates a subject without flattening the space around it.

Nick Simpson
The 24-50mm range was chosen as a balance of size, design, and price point. It covers the focal lengths working photographers reach for daily. The Voyager fits an internal zoom mechanism, holds f/2.8 across the range, and stays compact enough to live on the camera all day.
The Voyager is designed to deliver image quality comparable to a dedicated prime across the zoom range, whether the working perspective is the breadth of 24mm, the reportage view of 35mm, or the subject isolation of 50mm. The result is one lens that does the work of three primes, in the size and weight of one.
Fixed Length, Constant Aperture
A fixed-length zoom that holds f/2.8 across the range removes two of the most common interruptions in fast-paced shooting: rebalancing a gimbal between focal lengths, and recalculating exposure as the aperture shifts.
The Voyager’s internal zoom mechanism keeps the barrel length constant from 24mm to 50mm. The center of gravity stays in place during a take. The fixed barrel is also more mechanically stable in the hand than an extending zoom, which translates to a steadier grip during handheld work.

The f/2.8 maximum aperture is held throughout the zoom range. From dim interiors and twilight streets to backlit portraits, f/2.8 delivers the brightness and subject separation that working photographers need when light is scarce. Exposure stays consistent across focal lengths. The lens stays out of the way of the shot.
The fixed barrel also eliminates lens creep when the camera is stowed, and removes the extending external moving parts that complicate weather sealing on conventional zooms.
A First for Chinese Optical Engineering
The Voyager is the first full-frame autofocus zoom developed by a Chinese optical brand. Combining autofocus, full-frame image coverage, and zoom architecture in a single lens requires coordinated development across optical design, mechanical engineering, AF systems, and electronics.
The Voyager’s autofocus system is designed for fast and quiet operation. Thypoch built the AF unit to stay out of the way of the shot, with response speed intended to keep pace with documentary, street, and event shooting, and quiet operation suited to video work and sound-sensitive environments. The lens features native Sony E-mount autofocus, with support for eye AF, AF-C tracking, and in-camera and lens-side AF/MF switching.
The lens has been tested with current-generation Sony Alpha bodies including the ZV-E1, A7C2, A7CR, A7IV, A7V, A7RIV, A7RV, A7SIII, A9III, and FX3.
Built for Bokeh
Rendering character is where Thypoch has built its reputation, and the Voyager carries that priority into autofocus. The optical design uses 16 elements in 13 groups, including 2 ASPH (aspherical) elements, 3 ED (extra-low dispersion) elements, and 3 HRI (high refractive index) elements. The formula is designed to control aberrations across the frame at all focal lengths.
The 10-blade rounded aperture holds its circular shape across most of the working aperture range, producing rounded out-of-focus highlights at mid apertures and sunstar rendering at smaller apertures.

©Ricardo Braz
Optical, Not Digital
The Voyager’s out-of-focus rendering is built into the glass, not added in software. Optical bokeh behaves naturally at the edges of the frame, around specular highlights, and in the transition zones that digital blur tends to flatten. The result is depth that holds up at full resolution and on close inspection.
The transition from sharp focus to background blur happens gradually, the way a lens with character renders rather than the way a lens that’s merely sharp does. Subjects sit forward in the frame with weight and presence, separated from the background without the harsh cutoff that flattens an image.

Sealed at Every Joint
Weather sealing is the difference between a lens that works in the conditions a photographer actually shoots in and a lens that has to be protected from them. The Voyager is built with sealed construction at the lens mount, focus ring, zoom ring, and front element. The internal zoom design contributes to sealing integrity by removing the extending external barrel that creates the most common point of moisture ingress on conventional zooms.
The lens is developed for dust and moisture resistance. Whether the shooting environment is coastal mist or a sudden urban downpour, the Voyager is built to keep working. Paired with Sony’s own weather-sealed Alpha bodies, the lens completes a sealed shooting system rather than introducing a weak point in it.
Cinema Zoom Heritage
The Voyager is Thypoch’s first autofocus lens. Its zoom architecture draws on the parent group’s experience in cinema zoom lens engineering, which includes constant-aperture and internal-zoom designs across multiple cine lens families. Cinema zooms are the discipline in which constant aperture and fixed barrel length were first solved as engineering problems. The Voyager applies that discipline to a stills-format AF lens.
Key Specifications
· Focal length: 24-50mm
· Maximum aperture: f/2.8 constant
· Optical formula: 16 elements in 13 groups (2 ASPH, 3 ED, 3 HRI)
· Aperture blades: 10 (rounded)
· Minimum focus distance: 0.3m across the zoom range
· Maximum magnification: 0.216x
· Filter thread: φ67mm
· Weight: 432g
· Length: 92.88mm
· Maximum diameter: φ73.6mm
· Mount: Sony E
· Weather rating: Dust and moisture resistance

Full specifications: https://dzolink.com/Voyager24-50mm
Price and Availability
Launch price: USD $619 / EUR €539 (May 14 to May 31, 2026)
MSRP: USD $649 / EUR €569
The Thypoch Voyager 24-50mm f/2.8 is available in Sony E-mount.
Standard package: lens body, front cap, rear cap, warranty card.
Local availability from: early June 2026
Where to buy: https://thypoch.com/en/dealer
About Thypoch
Derived from the Old English “thy” and “epoch,” Thypoch represents the idea of capturing your living epoch. In an era driven by automation and clinical precision, Thypoch chooses to preserve the soul of photography, merging 21st-century optical innovation with the mechanical artistry of mid-20th-century craftsmanship. Guided by the belief that photography is a mirror shaped by light and interpretation, Thypoch designs lenses that extend the creator’s vision, because true photography is not about perfection, but about preserving fleeting moments that define our time.
For more information, please visit: https://thypoch.com/
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