Oct 22, 2024

Thypoch Simera-C T1.5 Primes unlocks all possibilities through the M-Mount version.

The M-mount Simera-C T1.5 retains the design and aesthetics of the E-mount version, but is 20-30 grams lighter, with the 50mm version weighing only 353 grams. These lenses are favored by filmmakers for their versatility and image effects, and the M Mount is eagerly anticipated by most potential users for its wide adaptability.

(Simera-C T1.5 M-Mount versions: 21mm & 28mm & 35mm & 50mm & 75mm)

 

M-mount cinema lenses are comparable in compatibility to PL-mount, adaptable with almost all mirrorless cameras (E, RF, Z, L, X mounts) using adapters. They can also be mounted on ARRI Alexa cameras and Sony Venice systems (positive lock) via third-party M-mount kits (Thypoch recommends XPIMAGE's ARRI M-mount for smooth compatibility). They ensure seamless integration from mirrorless cameras to high-end cinema equipment like DJI Ronin 4D, Sony Venice, Alexa 35, Alexa mini LF, Alexa mini, and Amira.

 

Main features of Simera-C series:

  1. 5 focal lengths: 21mm, 28mm, 35mm, 50mm, and 75mm.

  2. T1.5 constant aperture with 16 aperture blades.

  3. Weight range of 353-491 grams, suitable for car stabilizers, handheld shooting, and gimbal operations.

  4. Available in M/E Mount, highly compatible with mirrorless and cinema cameras.

  5. Minimal chromatic aberration and sharp resolution.

  6. Dual-scale focusing in metric and imperial units.

  7. Comes with a hard shell for easy transport.

(Simera-C specifications)

 

Simera-C Style:

 

Simera-C exhibits a very neutral look with soft tones, smooth background bokeh, and natural edge transitions, providing superior dimensionality for storytelling with minimal chromatic aberration and a curvature similar to the human visual field to capture the raw aesthetics. Flare is artfully controlled to maintain highlight detail without compromising image authenticity.

(Shot by Spenser Sakurai using Simera-C M-Mount)
(Shot using Simera-C E Mount by Filmguy)

 

The floating element design of the Simera-C series allows a closer minimum focusing distance than most converted cinema camera viewfinder lenses, providing nearly identical quality in both close-ups and landscapes, enriching textures and details in close-ups and enhancing creative flexibility.


Camera Compatibility:

(Simera-C M-Mount & DJI Ronin 4D)
(Simera-C M-Mount & Black Magic Pyxis)

 

Pricing and Availability:

M-Mount single lens: 959 USD / 869 EUR

M-Mount five lenses set: 4319 USD / 3919 EUR

E-Mount single lens: 879 USD / 799 EUR

E-Mount 5 lenses set: 4048 USD / 3679 EUR

 

Learn more about Simera-C cine prime lenses.

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Jan 13, 2026

Classic, cinematic style, modern performance: Thypoch brand new 21mm f/3.5 M Mount lens

Shenzhen, China, January 13, 2026 – Thypoch’s New Ksana 21mm f/3.5mm lens revisits the classic warmth and intimacy of rare and respected lenses in the 1970s, but brings them up to date, in an accessible modern format. Despite its ability to capture crisp detail all the way from portrait to landscape, and from wide angle to close focus, this lens is ultra-compact and lightweight.

 

Epoch Coating 73: The Retro Look

Thypoch starts a specialized project - Epoch Coating, which aims at exploring the aesthetic soul of different eras. Drawing from the deep heritage in cinema optics, Thypoch has successfully translated the magnificent flare of cinema lenses into the world of still photography.

 

As the first lens of the Ksana series, the 21mm f/3.5 blends classic aesthetics with vintage rendering. Epoch Coating. 73’ brings that 70’s cinematic aesthetic, golden bloom, and soft, delicate color rendering into modern photography. The Ksana 21mm blends classic optical craftsmanship with the artistic soul of vintage lens coatings, for exceptional sharpness and vibrant, saturated colors.


Ultra Compact, Pocket-size

The Ksana 21mm f/3.5 keeps things light and agile. The all-aluminum, featherweight Ksana lens’s ultra-compact size – just 27mm high and weighing only 131g – guarantees effortless handheld shooting, all day. Highly portable and discreet, it’s made for inspirational street, travel, and documentary photography.

 


Modern Optics, Classic Performance

Despite its light weight and pocketable form, the Ksana 21mm’s outstanding optical structure delivers high resolution with great suppression of unwanted chromatic aberration. This is a result of a design that includes a compact eight-element, six-group optical design, featuring 1 ASPH (Aspherical), 2 ED (Extra-low Dispersion), and 3 HRI (High Refractive Index) elements. The nine-blade diaphragm provides apertures from f/3.5 to f/22 for rounded highlights, with especially crisp 18-point starbursts at f/4.

 

 

Wide Angle, Wide Perspective

The lens has a wide 21mm angle, but with a 0.5m minimum focusing distance. It offers an 80.2° horizontal field of view on full-frame cameras, with imperceptible distortion. Maintaining the classic Leica rangefinder charm, this lens ensures precision for film and digital photographers alike. A tactile reminder at 0.7m alerts you when the rangefinder uncouples, signaling a switch to EVF focusing.

 

 

Timeless Design, Signature Lens Body

The Ksana 21mm f/3.5 features a vintage-inspired body with a scalloped focus ring and crescent-shaped tab. Ergonomic contours align with your fingers for a comfortable grip and intuitive handling, ensuring stable, precise control even during fast focusing.

 


Beautiful inside and out, this lens evokes the best of vintage design, complementing any compatible camera, and is available in classic black or silver. Ergonomic contours align with creative fingers, for a comfortable grip and intuitive handling, ensuring stable, precise control even during fast focusing. Its smooth, well-crafted feel makes it an ideal match for Leica cameras, offering a retro look with contemporary reliability, perfect for artists seeking a balance of style and performance.

 

Pricing and Availability

 

MSRP: USD 549/EUR 479

Available in M mount, black and silver version

Standard package includes front and rear caps, and warranty card

Available at both Thypoch official store and authorized dealers.

 

 

About Thypoch

 

Since 2013, Thypoch has been driven by a desire to bring the timeless lens designs of the past into the modern age. Even in times driven by AI, Thypoch still choose to craft products that carry the spirit of another era – because Thypoch believe that soul and character hold more meaning than mere technical perfection.

 

While the imaging industry races heedlessly toward breakneck speed, clinical sharpness, and cold automation, Thypoch take a more thoughtful path: merging our 21st-century optical innovation with the mechanical beauty of mid-20th-century craftsmanship.

 

This is because every photographer has their own unique, personal way of seeing the world, no matter what tools they use. So, instead of only offering another new lens, Thypoch seeks to simply create the one that feels right. Thypoch hopes to extend the creator’s vision. Thypoch knows that true photography isn’t about technical perfection, but about saving those fleeting moments that define our lives.

 

With precision engineering and vintage aesthetics, Thypoch lenses are built to endure. We aim to preserve the living essence of imagery – so that when the future looks back, they will treasure the way we saw our time. For more information, please visit https://thypoch.com or write to info@thypoch.com.

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Apr 28, 2026

Classic and Compact: Thypoch Eureka 28mm f/2.8 ASPH. Available Now

After announcing the pre-order of the Eureka 28mm f/2.8 ASPH. in November 2025, Thypoch today officially released this high-performance pancake lens , the latest addition to its vintage line of compact lenses. Following the success of the series' inaugural 50mm lens, the new 28mm model maintains the signature blend of classic aesthetic appeal and cutting-edge optical engineering, offering photographers a wider option.

Inspired by the iconic British legend – the Dallmeyer 35mm f/3.5 Anastigmat mounted on the Ilford Advocate camera, the Eureka 28mm f/2.8 ASPH. embodies a heritage design re-imagined for today. The creation of this lens was born from the Thypoch team's passion for shooting reversal film during long-distance travels, using compact 28mm lenses. Dissatisfied with the market's lack of options that were truly small, elegant, and exhibited minimal vignetting—a critical flaw for reversal film, where dark corners significantly impact viewing pleasure, unlike digitally adjustable files—they decided to develop their own.

 

Thypoch’s optical designers iterated through three distinct versions before arriving at the optimal result seen today, achieving outstanding resolution, minimal vignetting, and low distortion—all within an exceptionally compact form to meet the demands of fine reversal film. The brass body offers a durable build and a warm, vintage feel, while the solid mechanical design ensures dependable performance. Weighing just 137g with a 19.5mm height, the lens is incredibly compact and easy to carry.

 

With one aspherical element and three high-refractive-index (HRI) elements, paired with modern multi-layer nano coatings, the lens delivers excellent sharpness from center to edge while effectively controlling aberrations and flare. Images are crisp and detailed in focus, with smooth, natural out-of-focus areas. The 8-blade aperture creates distinctive starbursts under point light sources, adding a subtle artistic touch.

 

To match this optical excellence, countless hours were dedicated to refining the fine white paint finish and perfecting the surface texture of the black version. The Pearl White version has a subtle, soft sheen that feels gentle and warm in the light, while the Matte Black is smooth, durable, and exudes a calm, elegant presence, making the Eureka 28mm a precision instrument for the artist, and a work of art in itself.

 

Besides the M mount version, Thypoch also specially releases an X mount version and an M-X adapter to maintain the aesthetic consistency between the camera body and the lens based on the refined, vintage appearance of Eureka and the design of Fujifilm cameras. Even when adapted, its compact size remains lightweight and balanced, making it an ideal choice for those who appreciate classic aesthetics without compromising modern optical quality.

 

Key features:

1. All brass body with extremely compact size weighing just 137g with a 19.5~21.9 mm height (M & X Mount Available)

2. Classic appearance design in the 1950s

3. Epoch Coating M. for modern and clean image style

4. 7 elements in 4 groups

5. Featuring 1 aspherical element and three high-refractive-index (HRI) elements for outstanding sharpness from center to edge

6. Well-controlled aberration and flare

7. Dual tones for distinct moods: Pearl White and Matte Black, perfectly matching different camera bodies

8. The 28mm focal length and 0.4m close focus for natural expression

 

 

Pricing and Availability:

Available at Thypoch official store and authorized dealers.

3 options available:

1. Eureka 28mm M mount (Pearl White/Matte Black), MSRP: $459.00

2. Eureka 28mm X mount (Pearl White/Matte Black), MSRP: $459.00

3. Eureka 28mm mount (Pearl White/Matte Black) + M-X adapter (Silver/Black), MSRP: $479.00

Immediate shipment after order.

 

Where to buy:

Thypoch official store: https://dzolink.com/Eureka28-Store

Authorized dealers: https://thypoch.com/en/dealer 


For more details on product contents, warranty policies, and other information, please visit Thypoch official website or write to info@thypoch.com.

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May 14, 2026

Thypoch enters autofocus market with Voyager 24-50mm f/2.8 for Sony E-mount

The first full-frame autofocus zoom developed by a Chinese optical brand, in a constant f/2.8 internal-zoom design

Shenzhen, China, May 14, 2026. Thypoch today announced the Voyager 24-50mm f/2.8, the first full-frame autofocus zoom developed by a Chinese optical brand and Thypoch’s first AF lens. Built for Sony E-mount mirrorless cameras, the Voyager uses an internal zoom mechanism that holds physical length fixed across the focal range, with a constant f/2.8 aperture from 24mm through 50mm.


Three Primes in One Lens

A photographer working with primes typically carries 24mm, 35mm, and 50mm. Those three focal lengths cover the working distances that define documentary, reportage, environmental portrait, street, and event photography. The 24mm captures a full scene when there isn’t room to step back. The 35mm sees roughly the way the eye sees, which is why it remains the working perspective of reportage and documentary photography. The 50mm isolates a subject without flattening the space around it.

Nick Simpson

The 24-50mm range was chosen as a balance of size, design, and price point. It covers the focal lengths working photographers reach for daily. The Voyager fits an internal zoom mechanism, holds f/2.8 across the range, and stays compact enough to live on the camera all day.

The Voyager is designed to deliver image quality comparable to a dedicated prime across the zoom range, whether the working perspective is the breadth of 24mm, the reportage view of 35mm, or the subject isolation of 50mm. The result is one lens that does the work of three primes, in the size and weight of one.

 

Fixed Length, Constant Aperture

A fixed-length zoom that holds f/2.8 across the range removes two of the most common interruptions in fast-paced shooting: rebalancing a gimbal between focal lengths, and recalculating exposure as the aperture shifts.

The Voyager’s internal zoom mechanism keeps the barrel length constant from 24mm to 50mm. The center of gravity stays in place during a take. The fixed barrel is also more mechanically stable in the hand than an extending zoom, which translates to a steadier grip during handheld work.

The f/2.8 maximum aperture is held throughout the zoom range. From dim interiors and twilight streets to backlit portraits, f/2.8 delivers the brightness and subject separation that working photographers need when light is scarce. Exposure stays consistent across focal lengths. The lens stays out of the way of the shot.

The fixed barrel also eliminates lens creep when the camera is stowed, and removes the extending external moving parts that complicate weather sealing on conventional zooms.


A First for Chinese Optical Engineering

The Voyager is the first full-frame autofocus zoom developed by a Chinese optical brand. Combining autofocus, full-frame image coverage, and zoom architecture in a single lens requires coordinated development across optical design, mechanical engineering, AF systems, and electronics.

The Voyager’s autofocus system is designed for fast and quiet operation. Thypoch built the AF unit to stay out of the way of the shot, with response speed intended to keep pace with documentary, street, and event shooting, and quiet operation suited to video work and sound-sensitive environments. The lens features native Sony E-mount autofocus, with support for eye AF, AF-C tracking, and in-camera and lens-side AF/MF switching.

The lens has been tested with current-generation Sony Alpha bodies including the ZV-E1, A7C2, A7CR, A7IV, A7V, A7RIV, A7RV, A7SIII, A9III, and FX3.


Built for Bokeh

Rendering character is where Thypoch has built its reputation, and the Voyager carries that priority into autofocus. The optical design uses 16 elements in 13 groups, including 2 ASPH (aspherical) elements, 3 ED (extra-low dispersion) elements, and 3 HRI (high refractive index) elements. The formula is designed to control aberrations across the frame at all focal lengths.

The 10-blade rounded aperture holds its circular shape across most of the working aperture range, producing rounded out-of-focus highlights at mid apertures and sunstar rendering at smaller apertures.

©Ricardo Braz

Optical, Not Digital

The Voyager’s out-of-focus rendering is built into the glass, not added in software. Optical bokeh behaves naturally at the edges of the frame, around specular highlights, and in the transition zones that digital blur tends to flatten. The result is depth that holds up at full resolution and on close inspection.

The transition from sharp focus to background blur happens gradually, the way a lens with character renders rather than the way a lens that’s merely sharp does. Subjects sit forward in the frame with weight and presence, separated from the background without the harsh cutoff that flattens an image.


Sealed at Every Joint

Weather sealing is the difference between a lens that works in the conditions a photographer actually shoots in and a lens that has to be protected from them. The Voyager is built with sealed construction at the lens mount, focus ring, zoom ring, and front element. The internal zoom design contributes to sealing integrity by removing the extending external barrel that creates the most common point of moisture ingress on conventional zooms.

The lens is developed for dust and moisture resistance. Whether the shooting environment is coastal mist or a sudden urban downpour, the Voyager is built to keep working. Paired with Sony’s own weather-sealed Alpha bodies, the lens completes a sealed shooting system rather than introducing a weak point in it.


Cinema Zoom Heritage

The Voyager is Thypoch’s first autofocus lens. Its zoom architecture draws on the parent group’s experience in cinema zoom lens engineering, which includes constant-aperture and internal-zoom designs across multiple cine lens families. Cinema zooms are the discipline in which constant aperture and fixed barrel length were first solved as engineering problems. The Voyager applies that discipline to a stills-format AF lens.


Key Specifications

· Focal length: 24-50mm

· Maximum aperture: f/2.8 constant

· Optical formula: 16 elements in 13 groups (2 ASPH, 3 ED, 3 HRI)

· Aperture blades: 10 (rounded)

· Minimum focus distance: 0.3m across the zoom range

· Maximum magnification: 0.216x

· Filter thread: φ67mm

· Weight: 432g

· Length: 92.88mm

· Maximum diameter: φ73.6mm

· Mount: Sony E

· Weather rating: Dust and moisture resistance

 

Full specifications: https://dzolink.com/Voyager24-50mm 


Price and Availability

Launch price: USD $619 / EUR €539 (May 14 to May 31, 2026)

MSRP: USD $649 / EUR €569

The Thypoch Voyager 24-50mm f/2.8 is available in Sony E-mount.

Standard package: lens body, front cap, rear cap, warranty card.

Local availability from: early June 2026

Where to buy: https://thypoch.com/en/dealer 


About Thypoch

Derived from the Old English “thy” and “epoch,” Thypoch represents the idea of capturing your living epoch. In an era driven by automation and clinical precision, Thypoch chooses to preserve the soul of photography, merging 21st-century optical innovation with the mechanical artistry of mid-20th-century craftsmanship. Guided by the belief that photography is a mirror shaped by light and interpretation, Thypoch designs lenses that extend the creator’s vision, because true photography is not about perfection, but about preserving fleeting moments that define our time.

For more information, please visit: https://thypoch.com/

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Thypoch’s biggest sale of the year is here, offering photographers and filmmakers the opportunity to experience distinctive optical craftsmanship at exceptional prices. With discounts of up to 29% OFF, shoppers can save up to $849 on selected lenses and cinema lens sets across the Simera, Simera-C, Eureka, Ksana, and Voyager series.

Oct 21, 2026

Your Next Lens, Within Reach—This Black Friday, save up to $849 during Thypoch’s biggest sale of the year

Thypoch’s biggest sale of the year is here, offering photographers and filmmakers the opportunity to experience distinctive optical craftsmanship at exceptional prices. With discounts of up to 29% OFF, shoppers can save up to $849 on selected lenses and cinema lens sets across the Simera, Simera-C, Eureka, Ksana, and Voyager series.



Thypoch Black Friday promotional offers at Thypoch official store.

Or find authorized dealers in your country.


From character-rich vintage-inspired primes and versatile everyday lenses to professional cinema glass, this Black Friday event makes it easier to find the right lens for your next creative journey. Don’t miss this limited-time opportunity to bring Thypoch’s signature blend of optical performance, distinctive rendering, and thoughtful design into your kit.

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Oct 23, 2026

Thypoch Completes Simera-C Cine Prime Lineup with New 100mm T1.9 Lens

October 23, 2026 – Thypoch today announced the Simera-C 100mm T1.9 Cine Lens, completing its seven-lens full-frame cine prime lineup. Extending the series beyond its previous longest focal length of 75mm, the new telephoto prime is positioned for character close-ups, reaction shots and narrative details. Offered in Sony E and Leica M mounts, it joins a compact cine lens family developed for filmmakers using mirrorless and cinema-camera systems.

@Cinetraits


100mm Optical Design Emphasizes Subject Detail and Soft Bokeh

The Simera-C 100mm features a T1.9 maximum aperture, a 16-blade iris and a minimum focusing distance of 0.85m. Its optical formula comprises 11 elements in 8 groups, with a horizontal field of view of 21.4° on full-frame cameras.

Thypoch describes the 100mm's intended image character as defined subject detail with soft, natural bokeh and smooth transitions into out-of-focus areas. The company also emphasizes chromatic aberration control in the optical design.

@Staff Steve


Compact Series Design with Coordinated Cine Controls

The completed Simera-C family comprises 16mm, 21mm, 28mm, 35mm, 50mm, 75mm and 100mm focal lengths. The 100mm shares a T1.9 maximum aperture with the 16mm, while the five intermediate primes have T1.5 maximum apertures.

The series combines compact construction with cine-oriented controls. The 100mm has a focus rotation of 210° and 0.8MOD gearing on its focus and aperture rings. Its front diameter is 72mm, with a M67*0.75 filter thread.

Its length and weight are 86.4mm and 477 g with Sony E mount, and 76.6mm and 451 g with Leica M mount.


Sony E and Leica M Mounts for Different Camera Setups

The Simera-C 100mm T1.9 is offered in black with either native Sony E or Leica M mount. Thypoch’s positive-lock adapters allow the Leica M-mount configuration to be used with compatible cameras from Sony, Canon, Fujifilm, Lumix and DJI as part of the company’s “M TO ALL” approach.


Pricing and Availability

Shipping of the Thypoch Simera-C 100mm T1.9 is scheduled to begin in late October 2026. With Sony E mount, the suggested retail price is US$879 / €799; with Leica M mount, it is US$959 / €869.

Each lens includes front and rear caps, a shim pack for back-focus adjustment, a mount tool kit and a warranty card.

Customers can place orders through Thypoch's official store and find authorized local dealers on the company's website. B&H Photo Video in the United States and CVP in Europe are among the planned retail channels. Availability and delivery dates may vary by retailer and region. Customers can consult Thypoch's authorized dealer directory for local purchasing options.

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